Singin’ in the Rain (1952) Blu-Ray USA - Gene Kelly & Debbie Reynolds

“Singin’ in the Rain” with Gene Kelly comes to Blu-ray in July

May 14, 2012 – 8:01 PM - Posted by: Justin Sluss
Tags: Blu-ray, Debbie Reynolds, Donald O'Connor, Gene Kelly, Jean Hagen, Millard Mitchell, Stanley Donen, Warner

Warner plans to bring the classic 1952 musical “Singin’ in the Rain” starring Gene Kelly, Donald O’Connor and Debbie Reynolds to Blu-ray Disc on July 17th. The release will come in two forms, a 3-disc “60th Anniversary Collector’s Edition” box set and a standard (single disc) Blu-ray. Tech specs include full 1080p Hi-Def video in the 1.37:1 (4×3) aspect ratio and DTS-HD Mono Master Audio sound. The “Collector’s Edition” box set version is already available for pre-order over at Amazon where it carries a $76.49 price tag, while the standard (single-disc) Blu-ray version is not yet available for pre-order but you can sign up HERE to be notified when it does. The bonus materials set to be included on a DVD included ONLY in the 3-disc “Collector’s Edition” are listed below.

• “Singin’ in the Rain: Raining on a New Generation” ALL-NEW Documentary
• “Great Performances: Musicals Great Musicals: The Arthur Freed Unit at MGM” (1996 PBS Documentary)
• “What a Glorious Feeling: The Making of Singin’ in the Rain”
• “You Are My Lucky Star” Outtake
• Nacio Herb Brown, Arthur Freed Film Excerpts (A collection of 12 film clips from earlier movies that originally carried the Freed/Brown songs)
• 26 Scoring Stage Session Cues
• Stills Gallery
• Trailer

Lastly here’s a view of the contents included in the 3-disc “Collector’s Edition” box set. Those physical bonus materials are listed below it.

• DVD of the film in Standard Definition
• 48 page hard cover production book with never-before-seen memos and photos
• Custom full-size umbrella (40” diameter, consumer value $29.99)
• Theatrical poster reproductions

FUENTE: http://www.highdefdiscnews.com/?p=78984

West Side Story (1961) Blu-Ray UK/USA - Dir.: Robert Wise

West Side Story es un film estadounidense de 1961, del género musical, drama, dirigido por Robert Wise y Jerome Robbins. Protagonizado por Natalie Wood, Richard Beymer, Rita Moreno, George Chakiris y Russ Tamblyn en los papeles principales.

Está basado en la obra musical del mismo nombre, inspirada a su vez en la obra de teatro Romeo y Julieta de Shakespeare.

La música fue compuesta por Leonard Bernstein.

Ganadora de diez Óscar: mejor película, mejor director, mejor actor de reparto (George Chakiris), mejor actriz de reparto (Rita Moreno), mejor dirección artística, mejor música, mejor fotografía, mejor sonido, mejor vestuario, y mejor montaje, y además fue candidata al mejor guion adaptado.

West Side Story / Amor sin Barreras [Blu-ray UK]

Studio: 20th Century Fox Home Entertainment | Release Date: 17 Oct 2011
Fuente: http://www.amazon.co.uk/gp/product/B0054JE1T8/

Un clásico del musical, que desarrolla un alegoría sobre la violencia urbana, su génesis y sus letales derivaciones, con apuntes críticos a la xenofobia, al racismo, al trato al inmigrante, al condicionamiento familiar y grupal del comportamiento vehemente, determinado por un contexto propicio al mismo, estableciendo también una mirada al distanciamiento generacional y a la entidad del joven en la pandilla y al margen de ésta, con vinculaciones afectivas y románticas.
Como bien expone el film en sus dos horas y media de metraje, mediante el uso de la violencia jamás se podrá lograr un objetivo que vaya más allá de esa propia actitud.
Su vorágine, que termina atrapando hasta a la persona más sensata y calmada, convirtiendo sus ansias futuras de felicidad en una fuente de rencor e ímpetu, solamente puede conducir al dolor, la muerte y el odio.
Al margen de sus implicaciones temáticas y vinculadas a ellas líricamente, a lo largo de esta agridulce, taciturna y noctívaga película, dirigida por Robert Wise con la ayuda en las coreografías de Jerome Robbins, aparecen un buen número de grandes canciones escritas por Leonard Bernstein (música) y Stephen Sondheim (letras), entre ellas, clásicos como "America", "Tonight", "Maria", "One hand, one heart" o "Cool".

FUENTE: http://www.alohacriticon.com/elcriticon ... e1273.html

West Side Story (1961) Blu-Ray USA - Director: Robert Wise
FECHA DE LANZAMIENTO: 15 DE NOVIEMBRE DE 2011

Fox and MGM Home Entertainment have announced the US Blu-ray Disc release of West Side Story: 50th Anniversary Edition on 15th November 2011. Based on the hit Broadway musical of the same name, West Side Story sets the ageless story of Romeo and Juliet against a backdrop of gang warfare in 1950’s New York.
West Side Story: 50th Anniversary Edition will be available in a Limited Edition 4-Disc Boxed Set featuring 2 disc Blu-ray, newly-restored DVD, Tribute CD and collectible memorabilia, as well as a 2-disc Collector’s Edition Blu-ray.

- VIDEO: 1080P 2.20:1 Widescreen
- AUDIO: English 7.1 DTS-HD MA, Spanish DD2.0, French and German 5.1 DTS Surround
- Subtitles: English, Spanish, French, Dutch, Portuguese, German, Finnish, Swedish, Norwegian, Danish, Chinese (Mandarin)
EXTRAS:
- ALL-NEW: Pow! The Dances of West Side Story - cast members, contemporary filmmakers, dancers and choreographers analyze and illuminate the film’s famous dance sequences.
- Prologue / - Dance At the Gym / - Tony and Maria’s Cha Cha
- America / - The Rumble / - Maria’s Roof Dance / - Cool
- ALL-NEW: A Place for Us: West Side Story’s Legacy – a look back at the iconic film and the impact it has had all over the world
- Creation and Innovation
- A Timeless Vision
- Song Specific Commentary by Lyricist Stephen Sondheim
- Prologue / - The Jet Song / - Something’s Coming / - Dance At the Gym
- Maria / - America / - Tonight / - Gee, Officer Krupke
- I Feel Pretty / - One Hand, One Heart / - Quintet / - Somewhere
- Cool / - A Boy Like That / I Have A Love
- Music Machine –allows viewers to go straight to their favorite musical numbers
- "West Side Memories" Documentary (55:51)

Documental Recuerdos de West Side Story (55' 51'' / 10 capítulos / 16:9 (1.66:1 para el contenido principal, 2.20:1 para los insertos de la película y 1.33:1 para los insertos de imágenes de la época).
Completo documental, con entrevistas para la ocasión, que narra con la perspectiva que da el paso del tiempo, todo lo relacionado con la creación de la película que abarca desde la pre-producción y el rodaje hasta su estreno. Muy interesante y con alguna que otra revelación sorprendente. Subtitulado en castellano.

- Storyboard to Film Comparison Montage
- Trailers: - Original Theatrical Trailer / - Original Issue Trailer / - Reissue Trailer / - Animated Trailer

FUENTE: http://homecinema.thedigitalfix.com/content/id/74085/ west-side-story-us-bd-in-november.html
REVIEW DE LAS EDICIONES EXISTENTES EN DVD: http://www.dvdbeaver.com/film/dvdcompar ... estory.htm
ANÁLISIS DE West Side Story Edición Coleccionista (Edición Española en DVD): http://www.zonadvd.com/modules.php?name ... tent&id=46

Astaire And Rogers Ultimate Collector's Edition DVD Z1

Este pack creo que ya existía en 2 packs separados y uno similar a este que juntaba todo.

Astaire And Rogers Ultimate Collector's Edition

Studio: Warner Bros. / Release Date: 10/12/2010 / Number of Discs: 11
Incluye:
The Barkleys Of Broadway
Carefree
Flying Down To Rio
Follow The Fleet
The Gay Divorcee
Roberta
Shall We Dance
The Story Of Vernon & Irene Castle
Swing Time
Top Hat

EXISTENTES DESDE 2006:
The Astaire & Rogers Collection: Volume 1 (5-Pack)

The Astaire & Rogers Collection: Volume 2

Astaire & Rogers Ultimate Collector's Edition

Studio: Warner Bros. / Release Date: 10/17/2006 / Length: 1008 mins / Number of Discs: 12

Pareciera ser que se le "perdió" 1 disco al nuevo pack 2010.
Probablemente la presentación tampoco sea la misma, ya que el pack 2010 cuesta poco más de la mitad que el de 2006 en DVDEmpire.com .

The Busby Berkeley 9 Film Collection (1933-1938) DVD Z1

Fanáticos de los musicales, preparense...

Busby Berkeley (29 de noviembre de 1895–14 de marzo de 1976), nació bajo el nombre William Berkeley Enos en Los Ángeles, California, fue un director de Hollywood y coreógrafo.
Berkeley fue famoso por sus elaborados números musicales que incluían complejas formas geométricas. Sus trabajos requerían un gran número de showgirls y elementos para imitar un efecto de caleidoscopio. Comenzó como director de teatro, al igual que otros directores de cine. A diferencia de otros directores, creía que la cámara debía tener movimiento, y filmó desde ángulos inusuales para el público de esa época, tomas que no podían ser obtenidas en otro tipo películas. Es por esto que su rol en el género de los musicales es tan importante.
Sus primeros trabajos en el cine fueron para los musicales prtoagonizados por Eddie Cantor de Samuel Goldwyn, donde comenzó a utilizar técnicas como individualizar a cada bailarina con un close-up, y mover a sus bailarinas a lo largo de todo el escenario para poder crear tantas figuras como sea posible. Su técnica de filmar desde lo alto tuvo su primera aparición en las películas de Cantor, y además en "Night World" de Universal en 1932.
La popularidad de Berkeley entre la audiencia de la gran depresión fue asegurada en 1933, cuando hizo las coreografías de tres musicales para Warner Brothers: “42nd Street”, “Footlight Parade” y “Gold Diggers of 1933”.
Mientras los musicales hechos por Berkeley dejaban de ser novedad, se centró en la dirección, Warner le dio la oportunidad de probar en el drama; el resultado fue “They Made Me a Criminal” de 1939, una de las mejores películas de John Garfield. Los trabajos de Berkeley le permitieron trabajar con estrellas de MGM como Judy Garland. En 1943, fue sacado de la dirección de Girl Crazy debido a conflictos con Garland, sin embargo el número musical "I Got Rhythm", que él dirigió, se mantuvo en la película. (Hugh Fordin, The World of Entertainment: The Freed Unit at MGM, 1975)
Su próximo trabajo fue en 20th Century-Fox para la película de 1943 “The Gang's All Here”. Berkeley pasó a la historia del cine estadounidense con el número de Carmen Miranda ‘Lady in the Tutti-Frutti Hat’. Aunque la película adquirió ganancias, estas no sirvieron para cubrir el presupuesto utilizado. Berkeley regresó a MGM en los años 40, donde trabajó con el proceso de Technicolor en las películas de Esther Williams. La última película de Berkeley como coreógrafo fue “Billy Rose's Jumbo” (1962) de MGM.

The Busby Berkeley 9 Film Collection / DVD-Video

Studio: Warner Bros. / Release Date: 10/12/2010 / Number of Discs: 10
Incluye:
42nd Street / Gold Diggers Of 1933 / Footlight Parade / Dames / Gold Diggers Of 1935
Gold Diggers Of 1937 / Varsity Show / Hollywood Hotel / Gold Diggers In Paris

Algunos de sus trabajos:
* A Connecticut Yankee (1927) (Broadway)
* Whoopee! (1930) (coreógrafo)
* Kiki (1931) (coreógrafo)
* Palmy Days (1931) (coreógrafo)
* Flying High (1931) (coreógrafo)
* The Kid from Spain (1932) (coreógrafo)
* 42nd Street (1933) (coreógrafo)
* Gold Diggers of 1933 (1933) (coreógrafo)
* Footlight Parade (1933) (coreógrafo)
* Roman Scandals (1933) (coreógrafo)
* Fashions of 1934 (1934) (director/coreógrafo)
* Wonder Bar (1934) (diseñador de números musicales)
* Dames (1934) (director/coreógrafo)
* Gold Diggers of 1935 (1935) (director)
* In Caliente (1935) (director/coreógrafo)
* Gold Diggers of 1937 (1936) (director/coreógrafo)
* Stage Struck (1936) (director)
* The Singing Marine (1937) (director/coreógrafo)
* Hollywood Hotel (1937) (director)
* Varsity Show (1937) (director of finale)
* Gold Diggers in Paris (1938) (director/coreógrafo)
* They Made Me a Criminal (1939) (director)
* Broadway Serenade (1939) (director)
* Babes in Arms (1939) (director)
* Strike Up the Band (1940) (director)
* Forty Little Mothers (1940) (director)
* Ziegfeld Girl (1941) (director de números musicales)
* Babes on Broadway (1941) (director)
* Lady Be Good (1941) (director de números musicales)
* Cabin in the Sky (1943) (director de la secuencia "Shine")
* Girl Crazy (1943) (director de la secuencia "I Got Rhythm")
* The Gang's All Here (1943) (director)
* Cinderella Jones (1946) (director)
* Take Me Out to the Ball Game (1949) (director)
* Romance on the High Seas (1948) (coreógrafo)
* Two Weeks with Love (1950) (coreógrafo)
* Call Me Mister (1951) (coreógrafo)
* Two Tickets to Broadway (1951) (coreógrafo)
* Million Dollar Mermaid (1952) (coreógrafo)
* Small Town Girl (1953) (coreógrafo)
* Easy to Love (1953) (coreógrafo)
* Rose Marie (1954) (coreógrafo)
* Billy Rose's Jumbo (1962) (coreógrafo)
* No, No, Nanette (1971) (Broadway)
Más: http://en.wikipedia.org/wiki/Busby_Berk ... cted_works

Según Martin Scorsese:

“Con el coreógrafo Busby Berkeley el género (musical) alcanza su propio estilo (came into its own). Un instructor de baile en sus comienzos, Berkeley fue el primero en darse cuenta de que una película musical es totalmente diferente de un musical de teatro. En las películas todo es visto a través de un ojo: la cámara. En el diseño de sus números musicales, Berkeley por lo tanto se basaría en desacostumbrados movimientos y ángulos de cámara. ¡La propia cámara tomaría parte de la coreografía! Sus ballets no podrían haber existido fuera de las películas. Eran creaciones cinematográficas puras”. Tomado de: A personal Journey with Martin Scorsese through American movies - Miramax Books

ENLACES:
Busby Berkeley o la Esencia del Musical http://www.filomusica.com/filo32/busby.html
Musicales del Siglo XX http://www.ucm.es/info/multidoc/trabajo ... index.html


NOTAS: Este pack incluye los 2 packs anteriores en una nueva presentación única.


Inclusive algunas de las películas de estos packs ya tenían ediciones individuales.


Algunas películas de Busby Berkeley posteriores se consiguen en DVD también.

Traigo este brillante artículo de Nuria Verde de los Blogs de Cine de CanalTCM.

Gran depresión, gran ilusión
A principios de la década de los 20, EE UU se acostó medianamente rico y se levantó riquisísimo. Millonarísimo. Forradísimo. Lo cuenta Groucho Marx en sus memorias: no hacía falta tener grandes nociones de macroeconomía o conocer los arcanos de la bolsa, bastaba poner un puñado de dólares en manos de tu corredor de bolsa y, 30 días después, el buen señor —y le Bon Dieu— ponía en tus manos unos cuantos miles. Con un poco de suerte, podías pasar de la miseria a la opulencia en menos de un año. Jugar en bolsa era algo tan habitual como apostar en las carreras, solo que algo menos emocionante ya que el éxito estaba garantizado. Pero esa situación cambió.
A finales de la década de los 20, EE UU se acostó rico y se levantó pobre. Más que una rata. Pasó de la alta costura al look clochard, de la alta gastronomía a las colas interminables en los comedores de beneficencia, de la risa beoda del licor de contrabando a la invariable expresión de hastío de gran parte de la gente. Tras una década prodigiosa bebiendo matarratas, la clase media de EE UU se levantó con resaca. Hambre, harapos, paro y horror. ¿Y qué pedía esa gente empobrecida, embrutecida, anémica? ¿Dignidad? A otro perro con ese hueso, ricura. A mí dame fantasía. Y música. Y Busby Berkeley llegó a Hollywood.

Él fue el inventor de un nuevo tipo de musical en el cine en el que la cámara se movía con la música: era capaz de lanzarse en un travelling de vértigo desde más allá del techo al ojo (pintado, faltaría más) de una corista escuetamente vestida. Pura geometría musical. Con él, el cuerpo humano se convirtió en un elemento más, ni siquiera el más importante, de aquellos tableux vivants en los que la imagen te hipnotizaba y te hacía olvidar todo lo que te esperaba más allá de las puertas del cine: la Gran Depresión.
Sus coreografías, sus diseños caleidoscópicos con piernas, zapatos y estolas de renard, sus decorados art decó como gigantescas tartas de boda en las que los muslos desnudos sustituyen a la crestería de nata montada (a mí el art decó siempre me ha parecido como la versión porno-burguesa del barroco: algo así como el rococó con coño: rocococoño). Para mí, Busby Berkeley es un Dios. Y como todo dios, también él tuvo sus contradicciones. Porque los dioses, queridos, NO son perfectos.
Se casó seis veces. S-E-I-S. Sin embargo, ninguno de sus matrimonios fue una balsa de aceite. Todas sus esposas tuvieron que lidiar con el fantasma de la mujer de su vida: mamá. Jamás logró cortar el cordón umbilical que le mantenía pegado a las faldas de mamá, que asistió al desfile de esposas con el mismo estoicismo con el que Octavia veía pasar a las (y los) amantes de Marco Antonio: “Ellas (y ellos) pasan, YO permanezco”. En efecto, las esposas se convirtieron en una dolorosa —y ruinosa— procesión de ex mientas mamá seguía atando corto al hijo de sus entretelas. Su caso es uno de los más palmarios del manual de Perfecta Madre Castradora que entregaban a principios de siglo, junto con la placenta y el recién nacido.

Busby Berkeley tenía una imaginación prodigiosa, un sentido del ritmo y del sex-appeal infalible y un talento visual unido a un olfato a la hora de colocar la cámara en rincones imposibles que ríete tú de Orson Welles (no entiendo por qué Ciudadano Kane tiene que ser mejor que uno cualquiera de sus musicales). Sin embargo, hoy todo el mundo venera a Orson y Busby, en cambio, se tiene que conformar con que no escupan sobre su tumba. Excepto cuatro maricas retro esclavas de la memoria (y Matthew Barney, también es verdad), ¿quién recuerda a Busby Berkeley?

FUENTE: http://www.canaltcm.com/decine/post/200 ... n-ilusiain
ENLACE: Una cabaña en el cielo - DVD9-FULL [audio: castellano, inglés / subt: cast, ing+9] [Musical] [1943] http://www.vagos.es/showthread.php?p=1053501095
PACKS QUE INCLUYEN ALGUNAS DE LAS PELICULAS EN LAS QUE DIRIGIO Y/O COREOGRAFIO:

That's Entertainment ! (Erase Una Vez en Hollywood)

That's Entertainment!: The Complete Collection Blu-ray

Warner Bros. | 1974 | 377 mins | Rated G | Dec 18, 2007



Video: Video codec: VC-1 | Video resolution: 1080p
Original aspect ratio: 2.35:1, 1.85:1, 1.37:1
Audio: English: Dolby TrueHD 5.1 | English: Dolby Digital 5.1
French: Dolby Digital 2.0 | Spanish: Dolby Digital 1.0
Subtitles: English SDH, French, Spanish
Discs: 50GB Blu-ray Disc | Three-disc set

That's Entertainment! is a 1974 compilation film released by Metro-Goldwyn-Mayer to celebrate its 50th anniversary. It was followed by two sequels and a related film called That's Dancing!.
The film, compiled by Jack Haley, Jr., turned the spotlight on MGM's legacy of musical film from the 1920s through the 1950s, featuring performances culled from dozens of the studio's famous films. Archive footage of Judy Garland, Eleanor Powell, Lena Horne, Esther Williams, Ann Miller, Kathryn Grayson, Howard Keel, Jeanette MacDonald, Cyd Charisse, June Allyson, Mickey Rooney, Mario Lanza, and many others was featured.
Released during the height of the Watergate scandal and just after the Vietnam war, That's Entertainment! was marketed with a tagline of "Boy, do we need it now!" The idea of celebrating the happy-go-lucky musicals of an earlier era hit a nerve with a nostalgic public; That's Entertainment! was hailed by critics and would become one of the top twenty highest-grossing films of 1974.
The film was compiled in various segments hosted by a succession of the studio's legendary (and then-living) stars: Frank Sinatra, Gene Kelly, Fred Astaire, Peter Lawford, Donald O'Connor, Debbie Reynolds, Mickey Rooney, Bing Crosby, James Stewart, Elizabeth Taylor, and Liza Minnelli (representing her mother, Judy Garland).
Most of the hosts were filmed on MGM's famous backlot, which looks disturbingly ramshackle and rundown in this film, because MGM had sold the property to developers and the sets were about to be demolished (several of the stars, including Bing Crosby, remark on this during their segments). The most notable degradation can be seen when Fred Astaire revisits the ruins of a train station set that had been used in the opening of The Band Wagon two decades earlier, and when Peter Lawford revisits exteriors used in his late-40s musical, Good News. That's Entertainment! was the last major project to be filmed on the backlot.
The title of the film derives from the anthemic song "That's Entertainment!", by Arthur Schwartz and Howard Dietz, which was introduced in the 1953 MGM musical, The Band Wagon. The title is usually expressed with an exclamation mark, but it is also correct to refer to it without (see the DVD cover).


MUSICALES REVISITADOS EN EL VOLUMEN 1:

• "Singin' in the Rain" Prologue - Cliff Edwards from The Hollywood Revue of 1929 (1929), Jimmy Durante with Sidney Toler from Speak Easily (1932), Judy Garland from Little Nellie Kelly and the main title sequence from Singin' in the Rain (Gene Kelly, Debbie Reynolds, and Donald O'Connor)
• "The Broadway Melody" - Charles King and Ensemble from The Broadway Melody (1929)
• "Rosalie" - Eleanor Powell and Ensemble from Rosalie (1937)
• "Indian Love Call" - Nelson Eddy and Jeanette MacDonald from Rose-Marie (1936)
• "A Pretty Girl Is Like a Melody" - Dennis Morgan (dubbed by Allan Jones), Virginia Bruce, and Ziegfeld Girls from The Great Ziegfeld (1936)
• "Begin the Beguine" - Fred Astaire and Eleanor Powell from Broadway Melody of 1940 (1940)
• "The Song's Gotta Come from the Heart" - Frank Sinatra and Jimmy Durante from It Happened in Brooklyn (1947)
• "The Melody of Spring" - Elizabeth Taylor from Cynthia (1947)
• "Honeysuckle Rose" - Lena Horne from Thousands Cheer" (1943)
• "Take Me Out to the Ball Game" - Gene Kelly and Frank Sinatra from Take Me Out to the Ball Game (1949)
• "Thou Swell" - June Allyson from Words and Music
• "The Varsity Drag" - June Allyson, Peter Lawford, and Ensemble from Good News (1947)
• "Abba Dabba Honeymoon" - Debbie Reynolds and Carleton Carpenter from Two Weeks with Love (1950)
• "It's a Most Unusual Day" - Jane Powell with Wallace Beery, Scotty Beckett, and George Cleveland from A Date with Judy (1948)
• "On the Atchison, Topeka and the Santa Fe" - Judy Garland, Ray Bolger, Virginia O'Brien, Cyd Charisse, Marjorie Main, and Ensemble from The Harvey Girls (1946)
• "It Must Be You" - Robert Montgomery and Lottice Howell from Free and Easy (1930)
• "Got a Feelin' for You" - Joan Crawford (introduced by Conrad Nagel) from The Hollywood Revue of 1929 (1929)
• "Reckless" - Jean Harlow (dubbed by Virginia Verrill) & Ensemble from Reckless (1935)
• "Did I Remember" - Jean Harlow (dubbed by Virginia Verrill) and Cary Grant from Suzy (1936)
• "Easy to Love" - James Stewart and Eleanor Powell from Born to Dance (1936)
• "Puttin' on the Ritz" - Clark Gable and Ensemble from Idiot's Delight (1939)
• "Dear Mr. Gable (You Made Me Love You)" - Judy Garland from Broadway Melody of 1938 (1937)
• "Babes in Arms" - Mickey Rooney, Judy Garland, Douglas McPhail, Betty Jaynes, and Ensemble from Babes in Arms (1939)
• "Hoe Down" - Mickey Rooney, Judy Garland, and Ensemble from Babes on Broadway (1941)
• "Do the La Conga" - Mickey Rooney and Judy Garland with Sidney Miller and Ensemble from Strike Up the Band (1940)
• "Waitin' for the Robert E. Lee"/"Babes On Broadway" - Mickey Rooney, Judy Garland, Virginia Weidler, and Ensemble from Babes on Broadway (1941)
• "Strike Up the Band" - Mickey Rooney, Judy Garland, June Preisser, and Ensemble from Strike Up the Band (1940)
• "The Babbitt and the Bromide" - Gene Kelly and Fred Astaire from Ziegfeld Follies (1946)
• "They Can't Take That Away from Me" - Fred Astaire and Ginger Rogers from The Barkleys of Broadway (1949)
• "Heigh Ho the Gang's All Here" - Fred Astaire and Joan Crawford from Dancing Lady (1933)
• "I Guess I'll Have to Change My Plan" - Fred Astaire and Jack Buchanan from The Band Wagon (1953)
• "Sunday Jumps" - Fred Astaire from Royal Wedding (1951)
• "Shoes with Wings On" - Fred Astaire from The Barkleys of Broadway (1949)
• "You're All the World to Me" - Fred Astaire from Royal Wedding (1951)
• "Dancing in the Dark" - Fred Astaire and Cyd Charisse from The Band Wagon (1953)
• Esther Williams Montage: includes water ballets from Million Dollar Mermaid (1952) and Bathing Beauty (1944)
• "I Wanna Be Loved by You" - Debbie Reynolds (dubbed by Helen Kane) from Three Little Words (1950)
• "I Gotta Hear That Beat" - Ann Miller from Small Town Girl (1953)
• "Make 'Em Laugh" - Donald O'Connor from Singin' in the Rain (1952)
• "Cotton Blossom/Make Believe/Ol' Man River" - Kathryn Grayson, Howard Keel, William Warfield, and Ensemble from Show Boat (1951)
• "By Myself" - Fred Astaire from The Band Wagon (1953)
• "Be a Clown" - Gene Kelly & The Nicholas Brothers from The Pirate (1948)
• "The Children's Dance" - Gene Kelly from Living in a Big Way (1947)
• "New York, New York" - Gene Kelly, Frank Sinatra, and Jules Munshin from On the Town (1949)
• "The Worry Song" - Gene Kelly and Jerry Mouse from Anchors Aweigh (1945)
• "Singin' in the Rain" - Gene Kelly from Singin' in the Rain (1952)
• "Broadway Melody Ballet" - Gene Kelly and Ensemble from Singin' in the Rain (1952)
• "La Cucaracha" - The Garland Sisters with Paul Porcasi from La Fiesta de Santa Barbara (1935)
• "Waltz with a Swing/Americana" - Judy Garland and Deanna Durbin from Every Sunday (1936)
• "Your Broadway and My Broadway" - Judy Garland and Buddy Ebsen from Broadway Melody of 1938 (1937)
• "Follow the Yellow Brick Road/If I Only Had the Nerve/We're Off to See the Wizard" - Judy Garland, Bert Lahr, Ray Bolger, Jack Haley, and Ensemble from The Wizard of Oz (1939)
• "Over the Rainbow" - Judy Garland from The Wizard of Oz (1939)
• "But Not for Me" - Judy Garland from Girl Crazy (1943)
• "The Trolley Song/Under the Bamboo Tree/The Boy Next Door" - Judy Garland, Margaret O'Brien, and Ensemble from Meet Me In St. Louis (1944)
• "Get Happy" - Judy Garland from Summer Stock (1950)
• "Going Hollywood" - Bing Crosby and Ensemble from Going Hollywood (1933)
• "Well, Did You Evah" - Bing Crosby and Frank Sinatra from High Society (1956)
• "Hallelujah" - Tony Martin, Ann Miller, Vic Damone, Debbie Reynolds, Jane Powell, Russ Tamblyn, and Ensemble from Hit the Deck (1955)
• "Barnraising Dance (Bless Your Beautiful Hide)" from Seven Brides for Seven Brothers (1954)
• "Gigi" - Louis Jourdan from Gigi (1958)
• "Thank Heaven for Little Girls" - Maurice Chevalier from Gigi (1958)
• "An American in Paris Ballet" - Gene Kelly, Leslie Caron, and Ensemble from An American in Paris (1951)

That's Entertainment, Part II was a 1976 motion picture by MGM, and a sequel to the 1974 documentary, That's Entertainment!. Like the previous film, That's Entertainment, Part II was a retrospective of famous films released by MGM from the 1930s to the 1950s. (Some posters for the film use Part 2 rather than Part II in the title.)
For this second documentary, archivists featured more obscure musical numbers from MGM's vaults, and also featured tributes to some of the studio's best known comedy teams such as the Marx Brothers and Laurel and Hardy, romantic teams such as Spencer Tracy and Katharine Hepburn, and a montage of iconic stars such as Clark Gable, Mickey Rooney, John Barrymore, Wallace Beery, Joan Crawford, Jean Harlow, James Stewart, Lana Turner, and Greta Garbo.
Gene Kelly and Fred Astaire hosted the film and Kelly directed the introductory segments featuring him and Astaire, which included Kelly returning to the city of Paris which was featured in two of MGM's most famous productions, An American in Paris and Gigi. This was the last film he directed.
The film was highlighted by several newly-filmed musical numbers featuring Astaire and Kelly, including a couple of routines in which they danced together for the first time since the 1946 film Ziegfeld Follies, and for only the second time in their careers. (It was the last time 76-year-old Astaire danced on film.) According to film historian Robert Osborne, in specially-filmed introductions produced for Turner Classic Movies, it was Astaire who suggested to Kelly that the two take advantage of this potentially last-in-a-lifetime opportunity to perform together, something Kelly had actually wished for out loud during his narration of the first That's Entertainment! film.
The sequel received more critical acclaim, but was not as successful at the box-office as the first film. Some 18 years later it was followed by That's Entertainment! III

• "That's Entertainment!" - Fred Astaire, Nanette Fabray, Oscar Levant, and Jack Buchanan from The Band Wagon seguing into Astaire and Gene Kelly
• "For Me and My Gal" - Judy Garland and Gene Kelly from For Me and My Gal (1942)
• "Fascinatin' Rhythm" - Eleanor Powell and Ensemble from Lady Be Good (1941)
• "I've Got a Feelin' You're Foolin'" - Robert Taylor and June Knight from Broadway Melody of 1936 (1935)
• "Chica Choca" - Greta Garbo from Two-Faced Woman (1941)
• "I Wanna Be a Dancin' Man" - Fred Astaire from The Belle of New York (1952)
• "Hi-Lili, Hi-Lo" - Leslie Caron and Mel Ferrer from Lili (1953)
• "Be a Clown" - Gene Kelly and Judy Garland from The Pirate (1948)
• "From This Moment On" - Tommy Rall, Ann Miller, Bob Fosse, Bobby Van, Carol Haney, and Jeanne Coyne from Kiss Me, Kate (1953)
• "All of You" - Fred Astaire and Cyd Charisse from Silk Stockings (1957)
• "The Lady Is a Tramp" - Lena Horne from Words and Music (1948)
• "Smoke Gets in Your Eyes" - Kathryn Grayson, Marge Champion, and Gower Champion from Lovely to Look At (1952)
• "Easter Parade" - Judy Garland and Fred Astaire from Easter Parade (1948)
• "Temptation" - Bing Crosby from Going Hollywood (1933)
• "Zing! Went the Strings of My Heart" - Judy Garland from Listen, Darling (1938)
• "Taking a Chance on Love" - Ethel Waters from Cabin in the Sky (1943)
• "Swingin' the Jinx Away" - Eleanor Powell and Ensemble from Born to Dance (1936)
• "Stout Hearted Men/Lover, Come Back to Me" - Nelson Eddy and Jeanette MacDonald from New Moon (1940)
• "Inka Dinka Doo" - Jimmy Durante from Two Girls and a Sailor (1944)
• "I Got Rhythm" - Judy Garland, Mickey Rooney, and Ensemble from Girl Crazy (1943)
• "The Wedding of the Painted Doll" - Arthur Freed, Nacio Herb Brown, and Ensemble (introduced by Jack Benny) from The Songwriters Revue (1930) and The Broadway Melody (1929)
• "Oh, Lady be Good!" - Ann Sothern and Robert Young from Lady Be Good (1941)
• "Broadway Serenade (For Every Lonely Heart)" - Jeanette MacDonald and Ensemble from Broadway Serenade (1939)
• "Manhattan" - Mickey Rooney from Words and Music (1948)
• "Three Little Words" - Fred Astaire and Red Skelton from Three Little Words (1950)
• "Tales from the Vienna Woods" - Fernand Gravey and Miliza Korjus from The Great Waltz (1938)
• "Good Morning" - Gene Kelly, Donald O'Connor, and Debbie Reynolds from Singin' in the Rain (1952)
• "Triplets" - Fred Astaire, Nanette Fabray, and Jack Buchanan from The Band Wagon (1953)
• "Have Yourself a Merry Little Christmas" - Judy Garland from Meet Me in St. Louis (1944)
• "Steppin' Out with My Baby" - Fred Astaire from Easter Parade (1948)
• "Ten Cents a Dance" - Doris Day from Love Me or Leave Me (1955)
• "I Got Rhythm" - Gene Kelly from "An American in Paris (1951)
• "(Love Is) The Tender Trap" - Frank Sinatra from The Tender Trap (1955)
• "I'll Walk Alone" - Frank Sinatra at the Paramount Theater ca. 1944
• "Ol' Man River" - Frank Sinatra from Till the Clouds Roll By (1946)
• "I Fall In Love Too Easily" - Frank Sinatra from Anchors Aweigh (1945)
• "I Believe" - Frank Sinatra and Jimmy Durante from It Happened in Brooklyn (1947)
• "You're Sensational" - Frank Sinatra from High Society (1956)
• "I Begged Her" - Frank Sinatra and Gene Kelly from Anchors Aweigh (1945)
• "Maxim's/Girls Girls Girls" - Maurice Chevalier from The Merry Widow (1934)
• "The Last Time I Saw Paris" - Dinah Shore from Till the Clouds Roll By (1946)
• "Our Love Is Here to Stay" - Gene Kelly and Leslie Caron from An American in Paris (1951)
• "I'll Build a Stairway to Paradise" - Georges Guetary from An American in Paris (1951)
• "Can-Can" - Gwen Verdon and Ensemble from The Merry Widow (1952)
• "The Merry Widow Waltz" - Ensemble from The Merry Widow (1934)
• "Sinbad the Sailor" - Gene Kelly from Invitation to the Dance (1956)
• "Now You Has Jazz" - Bing Crosby and Louis Armstrong from High Society (1956)
• "A Couple of Swells" - Judy Garland and Fred Astaire from Easter Parade (1948)
• "Take Me to Broadway" - Bobby Van and Ensemble from Small Town Girl (1953)
• "Broadway Melody Ballet" - Gene Kelly, Cyd Charisse, and Ensemble from Singin' in the Rain (1952)
• "There's No Business Like Show Business" - Betty Hutton, Howard Keel, Louis Calhern, and Keenan Wynn from Annie Get Your Gun (1950)
• "I Like Myself" - Gene Kelly from It's Always Fair Weather (1955)
• "I Remember It Well" - Maurice Chevalier and Hermione Gingold from Gigi (1958)
• "Bouncin' the Blues" - Fred Astaire and Ginger Rogers from The Barkleys of Broadway (1949)
• "Cypress Gardens Water Spectacular" - Esther Williams from Easy to Love (1953)
• Finale - Fred Astaire and Gene Kelly

That's Entertainment! III (1994) is a documentary film released by Metro-Goldwyn-Mayer to celebrate the studio's 70th anniversary. It was the third in a series of retrospectives that began with the first That's Entertainment! (1974) and That's Entertainment II (1976). Although posters and home video versions use the title without an exclamation mark, the actual on-screen title of the film uses it.
Many changes had occurred since the first two films - including the deaths of Fred Astaire (who had co-hosted the first two films) and many other MGM stars of the past. Plus, the advent of home video and cable TV had made many of MGM's films readily accessible to audiences, a luxury they did not have in the mid-1970s.
In order to provide a "hook" for audiences, the producers decided to feature film footage cut from famous MGM musicals. Many of these numbers were shown for the first time in That's Entertainment! III.
Highlights include:

• An alternate version of Eleanor Powell's extended tap dance routine to "Fascinating Rhythm" from Lady Be Good, shot from a second camera that revealed the well-orchestrated, behind the cameras activity needed to keep the scene moving smoothly.
• "Ain't it the Truth", a Lena Horne performance from Cabin in the Sky which was cut (Horne suggests it was censored) before the film's release because Horne sang the song in a bubble bath.
• Several previously unseen Judy Garland production numbers, including "Mr. Monotony", cut from Easter Parade because it was deemed too risque for the period of the film (the half-tuxedo outfit Garland wears in this number is the same as the one she'd wear in the "Get Happy" number from Summer Stock three years later); an extravagant musical number, "March of the Doagies," cut from The Harvey Girls; and two numbers filmed for Annie Get Your Gun ("I'm An Indian Too" and "Doin' What Comes Naturally") before Garland was replaced by Betty Hutton. Garland left MGM soon after, making these her final musical performances for the studio. The original theatrical release omits "Doin' What Comes Naturally" but it is included on the home video version.
• Footage from an abandoned 1930 musical called The March of Time, in particular a sequence called "The Lock Step" featuring The Dodge Twins which strongly resembles the later title musical sequence from the 1957 Elvis Presley film, Jailhouse Rock (also featured in That's Entertainment! III).
• Debbie Reynolds singing "You Are My Lucky Star" in a sequence cut from Singin' in the Rain.
• Ava Gardner's unused vocal performance of "Can't Help Lovin' Dat Man" for Show Boat before she was dubbed by vocalist Annette Warren.
• The opening dance sequence from The Barkleys of Broadway with the credits overlay removed so that the dance routine by Fred Astaire and Ginger Rogers can be viewed unobstructed for the first time.
• An alternate performance of "I Wanna Be a Dancin' Man" by Astaire from the film The Belle of New York. In the alternate take, Astaire wears informal clothes; the studio requested the number be reshot in formal dress. In the film. both performances are shown side-by-side to demonstrate the thoroughness of Astaire's rehearsal process since both performances are virtually identical.
• An unused performance of "Two-Faced Woman" lip-synched by Cyd Charisse from The Band Wagon, presented side-by-side with a performance from the film Torch Song using the same vocal track but now lip-synched by Joan Crawford.
• An alternate version of "A Lady Loves" performed by Debbie Reynolds in I Love Melvin, intercut with the version used in the film (the cut version is set in a farmyard while the version used takes place in opulent surroundings).
• An amazing contortionist performance from the movie "Broadway Rhythm," featuring the Ross Sisters.

Hosts for the third installment in the That's Entertainment! series were Gene Kelly (in his final appearance on film before his death in 1996), June Allyson, Cyd Charisse, Lena Horne, Howard Keel, Ann Miller, Debbie Reynolds, Esther Williams, making her first appearance in a theatrical film in more than 30 years and Mickey Rooney.
All three films were released to DVD in 2004. The box set collection of the films included a bonus DVD that included additional musical numbers that had been cut from MGM films as well as the first release of the complete performance of "Mr. Monotony" by Judy Garland (the version used in That's Entertainment! III is truncated). The home video version of That's Entertainment! III also contains several musical numbers not in the theatrical release.

• Here's to the Girls - Fred Astaire from (Ziegfeld Follies) 1946
• My Pet Song - The Five Locest Sisters from (The Five Locest Sisters) 1928
• Singin' in the Rain (Finale) - Cliff Edwards and MGM Studio and Orchestra Chorus from (The Hollywood Revue of 1929) 1929
• The Lockstep - Two Twins Sisters from (March of Time) 1930
• Clean as a Whistle - MGM Studio and Orchestra Girls Chorus from (Meet the Baron) 1933
• Ah, Sweet Mystery - Jeanette MacDonald / Nelson Eddy from (Naughty Marietta) 1935
• Hollywood Party - MGM Studio and Orchestra Chorus from (Hollywood Party) 1934
• Follow in my Footsteps - Eleanor Powell / Robert Taylor / George Murphy / MGM Studio and Orchestra Chorus from (Broadway Melody of 1938) 1937
• Fascinating Rhythm - Eleanor Powell / MGM Studio and Orchestra Chorus from (Lady be Good) 1941
• Good Morning - Mickey Rooney / Judy Garland from (Babes in Arms) 1939
• Ten Percent Off - Jimmy Durante / Esther Williams from (This Time For Keeps)
• Tom and Jerry fame - Esther Williams from (Dangerous when Wet) 1953
• Finale of Bathing Beauty - Esther Williams from (Bathing Beauty) 1944
• Cleopatterer - June Allyson from (Till the Clouds Roll By) 1946
• The Three B's - June Allyson / Gloria DeHeaven / MGM Studio and Orchestra Chorus from (Best Foot Forward) 1943
• My Heart Sings - Kathryn Grayson from (Anchors Aweigh) 1945
• Shakin' the Blues Away - Ann Miller / MGM Studio and Orchestra Chorus from (Easter Parade) 1948
• Pass That Peace pipe (dance) - Joan MaCackern / Ray McDonald from (Good News) 1947
• On The Town - Gene Kelly / Frank Sinatra / Ann Miller / Vera-Ellen & 2 more person from (On the Town) 1949
• Baby, You Knock me out - Cyd Charisse / MGM Studio and Orchestra Chorus gentlemen from (It's Always Fair Weather) 1955
• Ballin' The Jack - Judy Garland / Gene Kelly from (For me and my Gal) 1942
• Dance with Squeaky Newspaper - Gene Kelly from (Summer Stock) 1950
• Slaughter on 10th Avenue - Vera-Ellen / Gene Kelly / MGM Studio and orchestra from (Words and Music) 1948
• An American in Paris Ballet - Gene Kelly / Leslie Caron from (An American in Paris) 1951
• Fit as a Fiddle - Gene Kelly / Donald O'Connor from (Singin' in the Rain) 1952
• The Heather on the Hill - Gene Kelly / Cyd Charisse from (Brigadoon) 1954
• You Are my Lucky Star (Outtake) - Debbie Reynolds from (Singin' in the Rain) 1952
• You Stepped Out with the Dream - Tony Martin / MGM Studio and Orchestra Chorus from (Ziegfeld Girl) 1941
• A Lady Loves - Debbie Reynolds / MGM Studio and Orchestra Chorus from (I Love Melvin) 1953
• Thanks a Lot But No Thanks - Dolores Gray from (It's Always Fair Weather) 1955
• Two Faced Women - Joan Crawford / MGM Studio and Orchestra Chorus from (The Torch Song) 1953
• Ma ma - Mickey Rooney dubbed with women from (Babes on Broadway) 1941
• Where or When - Lena Horne from (Words and Music) 1948
• Just One of Those Things - Lena Horne from (Panama Hattie) 1942
• Ain't it the Truth (Outtake) - Lena Horne from (Cabin in the Sky) 1943
• Can't Help Lovin' Dat Man - Ava Gardner from (Show Boat) 1951
• Can't Help Lovin' Dat Man - Lena Horne from (Till the Clouds Roll By) 1946
• I'm an Indian Too - with Judy Garland (Outtake) from (Annie get your Gun) 1950
• I Wish I Were In Love Again - Judy Garland / Mickey Rooney from (Words and Music) 1948
• Swing Mr Mendelssohn - Judy Garland / MGM Studio and Orchestra Chorus Girls from (Everybody Sing) 1938
• In Between - Judy Garland from (Love Finds Andy Hardy) 1938
• Follow the Yellow Brick Road - Judy Garland / The Munchkins from (The Wizard of Oz) 1939
• You're Off to See the Wizard - The Munchkins from (The Wizard of Oz) 1939
• Somewhere Over the Rainbow - Judy Garland from (The Wizard of Oz) 1939
• How About You - Judy Garland / Mickey Rooney from (Babes on Broadway) 1941
• Minnie from Tridend - Judy Garland / MGM Studio and Orchestra Chorus from (Ziegfeld Girl) 1941
• Who - Judy Garland from (Till the Clouds Roll By) 1946
• March of the Doagies - Judy Garland / Ray Bolger / MGM Studio and Orchestra Chorus from (The Harvey Girls) 1946
• Get Happy - Judy Garland from (Summer Stock) 1950
• Mr Mononty - (Outtake) Judy Garland from (Easter Parade) 1948
• It Only Happens When I Danced with You - Fred Astaire / Ann Miller from (Easter Parade) 1948
• Drum Crazy - Fred Astaire from (Easter Parade) 1948
• The Girl Hunter - Fred Astaire / Cyd Charisse from (The Band Wagon) 1953
• Swing Trot - (main title) Fred Astaire / Ginger Rogers /MGM Studio and Orchestra Chorus from (The Barkleys of Broadway) 1949
• I Wanna be a Dancin' Man - Fred Astaire
• Anything You Can Do - Betty Hutton / Howard Keel from (Annie get your Gun) 1950
• Stereophonic Sound - Fred Astaire / Janis Paige from (Silk Stockings) 1957
• Shakin' the Blues Away - Doris Day / MGM Studio and Orchestra Chorus from (Love Me or Leave Me) 1956
• Jailhouse Rock - Elvis Presley from (Jailhouse Rock) 1957
• Gigi - Louis Jourdan from (Gigi) 1958
• That's Entertainment - Fred Astaire / Cyd Charisse / MGM Studio and Orchestra Chorus from (The Band Wagon) 1953

TORRENTS:

Type	Name	Uploaded		Size	SE	LE
Video > Highres - Movies	Thats.Entertainment.1974.720p.BluRay.x264-DOCHD	10-21 17:43		6.6 GiB	2	21
Video > Highres - Movies	Thats.Entertainment.Part.II.1976.720p.BluRay.x264-DOCHD	10-21 17:42		6.57 GiB	4	23
Video > Highres - Movies	Thats.Entertainment.III.1994.720p.BluRay.x264-DOCHD	10-21 17:42		6.61 GiB	3	17

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ENLACES VARIOS:

• That's Entertainment!, a series of documentaries celebrating the films of Metro-Goldwyn-Mayer 
• That's Entertainment, Part II, a sequel
• That's Entertainment! III, another sequel
  

http://www.thejudyroom.com/media/dvd/pages/teset.html
http://www.dvdtalk.com/dvdsavant/s1406ente.html
http://www.blu-ray.com/movies/Thats-Entertainment-The-Complete-Collection-Blu-ray-Screenshots/594/